live review for the skinny


Another interesting aspect of this, pointed out by the Popmatters blogger, is that the rights of Bemis's songs are vested in his record label, RCA Music Group - including any song from his Song Shop. Presumably this means that if he writes anything particularly good, or if he struggles to fulfil his obligations for the next Say Anything record, then the song he wrote for you could appear on the next Say Anything album.
So, I have a few questions.
Firstly, which artist would you most like to write a song about you, if money was no object? It's not quite as easy as "who is your favorite artist?". For example, I doubt a Kraftwerk song would emerge with profound lyrics about your written scenario (fun game: give your own words to "Pocket Calculator" and try to make it sound serious); and if you chose Sigur Ros or the Cocteau Twins - well, you're never going to understand the words! Also, a lot of my favorite artists are dead, so that rules them out straight away. Many more of my favorites - Neil Young, David Bowie, Stevie Wonder to name a few - are well past their best, which makes me wonder whether I'd rather have a not-very-good song from a legend, or would I rather choose a contemporary artist who's more likely to write a song I enjoy? Finally, you also have to think about just what a songwriter might do to you in the song - Eminem would probably kill you (you may consider than an honor, to be killed by Eminem in a song), and Al Green would probably seduce you. Again, you may consider that an honor!
Secondly, would you be pleased or upset if the song was used on the artist's next proper album? I think it would be great, something to tell the grandkids about - though they'd probably just say "who?" and listen to something new and noisy, instead of whatever ancient stuff their grandpa liked! But others might be upset by it, especially if their song was about something quite private.
Finally, are Say Anything any good? Admittedly I know next to nothing about them. I don't really have $150 to spend frivolously, but then again, it is my birthday in two weeks!
Rumors spread last week that Solange was going to be dropped by her label Interscope after disappointing sales of her latest album, Sol-Angel and the Hadley St. Dreams. Thankfully, Interscope have said those rumors aren't true: "Contrary to rumors floating through the Internet over the last few days, Solange remains a part of the Interscope Geffen A&M family." Phew!
If you're still confused by the headline, Beyonce and Solange are sisters; but there's lots of reasons why they aren't really suitable for comparison. Beyonce has been one of the world's favorite pop stars for a decade or so now, whereas Solange only has two albums, neither of which has even approached any of Beyonce's releases in terms of profile. Whereas Beyonce is a key figure in contemporary R&B and pop, Solange's music is more derivative of 60s psychedelic pop and 70s soul. On the opening track to Sol-Angel, Solange sings of: "Two girls going in different directions" and asks to "Let my star shine on its own." Well, her family connection is an easy angle for writers to generate some initial interest (moi? lazy?), but by rights her talent should enable her to stand on her own.
I think Sol-Angel and the Hadley St. Dreams is one of the best pop-soul albums in years. It's remarkably consistent front-to-back, with something to recommend in every song - not just the singles. Like the cover, it's extravagant and colorful, and like the title, it's quite hippyish. There's easy, bubblegum moments, but also interesting attempts to push the envelope a little - like when "Dancing In The Dark" steps up a gear halfway through, or when "Cosmic Journey" morphs out of its slow, psychedelic groove into a banging techno coda. And her voice is great - check out the heartfelt pleading in "Would've Been The One" and her alternately forceful/reserved delivery on "I Decided."
If only there was a way for you to hear some of these songs instead of having to read my blathering...
It's not often these days that the NME writes brave and thoughtful pieces, but Luke Lewis's blog post this week about Record Store Day qualifies. Today (Saturday) is Record Store Day, an international collaboration between independent record shops which will include in-store performances and exclusive releases to try to encourage music fans away from their computers, and back into their shops. By now you're probably thinking - surprise surprise, this Amazon guy's going to say he prefers buying music online! But please hear me out - I write only as a music fan who buys music from a variety of places, some online, but often not. Record stores are great to browse in, and it's always exciting to be able to take a CD home and play it right away. But I think Luke Lewis is right when he says there's a lot of "false nostalgia" about record stores.
The regular story goes that record shops are more than just shops. Geoff Travis, founder of one of the UK's most famous record stores Rough Trade, told The Skinny this month that "A record store is a meeting place for the exchange of music, fanzines, ideas and culture. I believe that people like to leave the house and have somewhere convivial to go where they meet kindred spirits and share some music and some life." Kevin Buckle, founder of Scottish indie shop Avalanche, said in the same article: "There may also be other ways of discovering music but none are as effective as getting a good recommendation from a shop."
(there's a bit of swearing in this clip, and a wholly unnecessary flash of Jack Black's backside over his trousers. Eugh.)
I suspect Geoff Travis is just remembering his own shop in its 70s heyday in that quote. But there's a reason Rough Trade has such an enduring reputation - because shops like it are few and far between. Mostly, if you want to meet like-minded people, you go to a bar or a gig, not a shop.
Of course, I don't want record stores to close down. I've spent many happy hours trawling through endless boxes of records, or flicking through CD racks looking for that specific album I really need to hear right away. Clearly, online and offline music stores have different pros and cons and I really hope, despite the economic downturn and the fall in CD sales, that both can continue to serve music fans. But let's not get too misty eyed about a romantic notion of what record stores are when it isn't very close to reality.
The NME blog post was also discussed on Idolator.
OK, so let's move on to Review 2, which I have snappily titled The Applicability of Certain Keywords Beginning With "S" Throughout the Album:
But I think it needs more work.
Finally, is it actually any good?
In conclusion: really quite good.
It seems so obvious now that Popjustice has shown the way. If a picture tells a thousand words, then I've just provided three thousand words-worth of It's Blitz! analysis. It took me half-an-hour to do, and it took you about half-a-minute to read and understand. After all, in this tl;dr age, who wants to read a dissertation!?
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old-fashioned YYY review to come soon!